John Constable, quoting George CrabbeĬontents List of Illustrations Acknowledgements Introduction Chris Pallant Part 1 History: Formal Traditions 1 Seeing in Dreams – The Shifting Landscapes of Drawn Animation Bryan Hawkins 2 The Stop-Motion Landscape Chris Pallant 3 Pixar, ‘The Road to Point Reyes’, and the Long History of Landscapes in New Visual Technologies Malcolm Cook Part 2 History: National Perspectives 4 Australian Animation – Landscape, Isolation and Connections Steven Allen 5 Environmentalism and the Animated Landscape in Nausicaä of the Valley of the Wind (1984) and Princess Mononoke (1997) Melanie Chan 6 Animating Shanshui: Chinese Landscapes in Animated Film, Art and Performance Kiu-wai Chu 7 Latvian Animation: Landscapes of Resistance Mihaela Mihailova Part 3 Form: Journeys through Animated Space 8 The Landscape in the Memory: Animated Travel Diaries María Lorenzo Hernández 9 Off the Rails: Animating Train Journeys Birgitta Hosea 10 Between Setting and Character: A Taxonomy of Sentient Spaces in Fantasy Film Fran Pheasant-Kelly Part 4 Form: Peripheral Perspectives 11 The Metamorphosis of Place: Projection-Mapped Animation Dan Torre 12 Plasmatic Pitches, Temporal Tracks and Conceptual Courts: The Landscapes of Animated Sport Paul Wells 13 The Zombiefied Landscape: World War Z (2013), ParaNorman (2012) and the Politics of the Animated Corpse James Newton Part 5 Function: Interactivity 14 Evoking the Oracle: Visual Logic of Screen Worlds Tom Klein 15 Beyond the Animated Landscape: Videogame Glitches and the Sublime Alan Meades Contributors Bibliography Animation/Filmography/Other Media ‘It is the soul that sees the outward eyes Present the object, but the Mind descries.’ We see nothing till we truly understand it. Animated Landscapes History, Form and Function Edited by Chris Pallant Bloomsbury Academic An imprint of Bloomsbury Publishing Inc
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